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Opera Il Trovatore of Giuseppe Verdi. Teatro de la Maestranza, Seville

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By on 29/01/2019

Wednesday 20, Saturday 23, Tuesday 26 and Fridays 29 March 2019
20:00 hours.
Teatro de la Maestranza Room I
Price: Between 46 and 125 €

Approximate: 2 hours 30 minutes, including a break

The fiery carousel of human passions

The Troubadour G. Verdi (1813–1901), demanding vibrant opera vocal performance, combines action, drama and singing in its purest form in a title, from a play of Cadiz Antonio García Gutiérrez, has since its premiere in 1853 a complete success. Directed by Stefano Vizioli scene in a production of Verdi Theater in Trieste, Pedro Halffter Caro leads a great cast with Angela Meade, Piero Pretti and Dmitry Lavrov, inter alia, with GSN and the Choir of the A. A. the Teatro de la Maestranza.

The convoluted nature of the tragic and unequal argument -Manrico and Duque de Luna, political rivals, They intended to Leonora, who he loves Manrico who is executed by order of Moon (who in turn seeks to avenge the gypsy Azucena) without both they know that, actually, they are brothers- It might seem an obstacle at its premiere in Rome in 1853. But "then the curtain rises and a miracle occurs; what seems absurd or unnatural when read, burning becomes human passion when singing ", Paul Henry Lang says the key to an opera that supplies a musical prodigy characterization which lacks logical argument. That key was not always valued by other experts baffled by the dramatic decompensation and the brilliant popular instinct Verdi. Apparently zíngaro factor-and that is one of the most captivating environmental elementsThe Troubadour– It was the ambiguous character of the gypsy Azucena Manrico -love and hate the Moon- which attracted the attention of Verdi who, after the theatrical prodigy His previous opera Rigoletto- He gives primacy to here as an expressive solo aria, underlines Fernando Fraga.

So, The Troubadour, demanded a vocal quartet of many carats He needed the best singers in the world for opera, Toscanini used to say- exhibits a bewildering succession of large skillfully combined and intertwined with the action supported by brilliant melodies perfectly adjusted to the letter of singing arias. "InThe Troubadour the melody becomes not reflect a feeling but the feeling itself ", said George Martin. Verdi's inspiration, very simple melodic and rhythmic, crystallises here in one of his operas more drag us and catch us, as she has certified its extraordinary popular success.

American soprano Angela Meade -great Anna Bolena at the Maestranza, the excellent tenor Piero Pretti which already was Manrico at the Liceu de Barcelona, Russian baritone Dmitry Lavrov and the Polish mezzo Agnieszka Rehlis, who has collaborated with Penderecki or Dudamel, lead a great deal.

THEATRE MAESTRANZA. SEVILLA
Paseo de Cristóbal Colón, 22
box office: In 10 a 14 and 17 a 20 hours. Closed Sundays and holidays, except days function until the beginning of it.
Phone: 954.226.573

Learn more: www.teatrodelamaestranza.es

Consultation Agenda Leisure, Culture and Tourism in Sevilla. Billboard cinemas in Sevilla, theater plays, Concerts, exhibitions, etc. inwww.andalunet.com

Did you know ... Legends and curiosities of Sevilla. Haz click
https://www.andalunet.com/category/curiosidades-de-sevilla-sabias-que

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